
COL 001 Collages herman de vries *1931
Header image:
From the forest floor, 2010
© herman de vries
Text: Mousse Magazine
De Vries aims to realize a visual language that is as objective as possible: a means of expression in which the subjective “creative hand” of the artist is absent. Many of his early (white) works can be regarded as autonomous expressions of art in the sense that they refer primarily to themselves. The more recent works also have an engaged character, partly due to their direct relation with nature. They can be experienced as subtle statements about the relationship between humanity and nature, as well as about the alienation of humanity from nature. Such interpretations are mainly underpinned by the knowledge that human action is threatening nature worldwide. Above all, de vries shows us the beauty and detailed wealth of nature. herman de vries enables us to take a fresh look at things. He registers, collects and arranges. He confronts us with the processes and phenomena of nature: the original biotope of humanity from which we have now become estranged due to technological, industrial and cultural developments.
collected bern 8.11.1976
(gingko biloba), 1976
All following images:
© herman de vries

from under a willow tree, 1984

untitled, 1975
unter der birke, 1983


heilpflanzen aus franken, 1985

fragments, 2010

untitled, 1990

die zweige der bäume, 2003

aus unserem garten, 2004

rasenstück coll. geissleite 01 06 2009

carex flacca, 2009

collected beach of iréo, samos, 2013

im winter auf dem grossen knetzberg.
ein journal, 2013

journal of a visit to the island of samos, 2013

opuntia (from paleochora, crete), 2015

leaves of northern steigerwald, 2016

Related Projects

COL 001 Collages herman de vries *1931
Header image: From the forest floor, 2010 © herman de vries
Text: Mousse Magazine
De Vries aims to realize a visual language that is as objective as possible: a means of expression in which the subjective “creative hand” of the artist is absent. Many of his early (white) works can be regarded as autonomous expressions of art in the sense that they refer primarily to themselves. The more recent works also have an engaged character, partly due to their direct relation with nature. They can be experienced as subtle statements about the relationship between humanity and nature, as well as about the alienation of humanity from nature. Such interpretations are mainly underpinned by the knowledge that human action is threatening nature worldwide. Above all, de vries shows us the beauty and detailed wealth of nature. herman de vries enables us to take a fresh look at things. He registers, collects and arranges. He confronts us with the processes and phenomena of nature: the original biotope of humanity from which we have now become estranged due to technological, industrial and cultural developments.

collected bern 8.11.1976 (gingko biloba), 1976
All following images © herman de vries

from under a willow tree, 1984

untitled, 1975

unter der birke, 1983

heilpflanzen aus franken, 1985

2109× [vaccinium], 1986

fragments, 2010

untitled, 1990

die zweige der bäume, 2003

aus unserem garten, 2004

rasenstück coll. geissleite 01 06 2009

carex flacca, 2009

collected beach of iréo, samos, 2013

im winter auf dem grossen knetzberg. ein journal, 2013

journal of a visit to the island of samos, 2013

opuntia (from paleochora, crete), 2015

leaves of northern steigerwald, 2016
Related Projects